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![pixlr autodesk online pixlr autodesk online](https://img.informer.com/p4/autodesk-pixlr-v1.1-main-window-display.png)
I wasn’t getting any exciting effects with this double exposure image of a guy walking in harsh light and a field of wildflowers until I rotated the secondary image of wildflowers into a full upside-down position. Move the layers around until you start to see details line up or play off each other. Try rotating one of the layers and see if you can get a neat effect. Use the “Free Transform” tool in the Edit menu to rotate or resize one of the images. MOVE THINGS AROUND: You’re really getting creative here, so don’t be bound by 90-degree angles.Here are some examples of silhouette double exposures I created and what I did to make them different:
![pixlr autodesk online pixlr autodesk online](https://www.appsdrop.com/imagenes/programas/en/964/6964_1.jpg)
Once you have that basic technique mastered, you’ll want to dig in and try a few other things. You may find that adjusting the contrast and lightness one more time may be the winning detail. Once you’re done, collapse all of your layers into one (Layer > Flatten image) and take a look. Turn down the saturation of a layer completely if you want to see how a layer looks in black and white (Adjustment > Hue & Saturation). Bumping up the contrast of a layer (Adjustment > Brightness & Contrast) can make a difference. You might want to adjust the opacity of your main layer. The real skill here is in being patient and open to experimentation. You can alter it in other ways, but it probably won’t need a different layer setting. It’s your “base” for this exercise, so leave it underneath your nature-oriented photo with a “Normal” layer setting. Tip: Your silhouette photo doesn’t need a blending mode like screen or lighten. But chances are adjusting these layer settings are going to give you the best results. If your images are incredibly compatible, you might only need to adjust the opacity of your images and not even bother with the layer settings. Experiment with these until you find one that works best. You have a lot of choices here, but the two best bets for this technique are the “Screen” and “Lighten” blending modes. Select the nature-oriented layer and play around with the layer settings. Open your silhouette image in Pixlr Editor. You can go digging one up on the Internet or you can take a portrait you may already have and underexpose it or darken it in various ways. In general, you’ll see the most success if your “main photo” is a full silhouette, a near silhouette, or an underexposed portrait. Just because you can place two images together doesn’t mean they’ll look awesome as a double exposure.
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Double luckily: We all have access to free tools like Pixlr Editor. We just have to focus it and spend a little time on our work. But it still takes some skill and a bit of an artistic eye to create a superior one. These days it’s relatively easy to create a double exposure image.
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It took a lot of forethought and planning and trial and error in the darkroom to get these otherworldly, surreal photos to line up to perfection. In the days of 35-mm film, these magical-looking images were one of the neatest tricks a photographer could pull off.